ADR
The facility offers two ADR stages, both offering traditional analog and the latest digital recording and playback formats. They also feature phone patch and Dolby fax ISDN capability. Both stages offer Pro Tools HDX V10.x with HD192 Recorder 24 Analog IN & OUT, 16 Digital IN & OUT with OMF capability, QuicKeys software, Aspera electronic File delivery, On Lot Food Services, Digital video playback via Blackmagic SDI, visual cueing via Endpoint Technology VM15 HDSDI High Def streamer capable of importing .mid files from EdiPrompt, and simultaneous dual ISDNs [based on hardware availability].
Marilyn Monroe ADR Stage
- Stage dimensions: 32' x 29' (24' to ceiling)
- Screen dimensions: 15’W x 10’H
- Projector Throw: 30’
- Digital video playback via ProTools
- ISDN via Dolby Fax. Bridging to other systems e.g. APT, Zephyr via Ednet or Digiphone Services
- Telos phone patch capability
- Polycom HVX 8000 video teleconferencing via IP
- (1) Sony PCM 7040 timecode DAT recorder, (1) Fostex DV824 8 Ch Dig Rec
- Comtek wireless headphone system allowing increased mobility for loop groups
- Video camera for (animation) talent capture
- Christie Digital Lw600, 6000 lumen projector
- Sony DVCAM, Beta SP/SX/IMX/Digi video playback
- DVD/BD Playback on stage
- Client office next to control room
- WiFi
Marge Simpson ADR Stage
- Stage dimensions: 24' x 24' (14' to ceiling)
- Screen dimensions: 8’W x 6’H
- Projector Throw: 11’
- ISDN via Dolby Fax. Bridging to other systems e.g. APT, Zephyr, Source Connect via Ednet or Digiphone Services
- Polycom video teleconferencing via IP
- (1) Sony PCM 7040 timecode DAT recorder, (1) Fostex DV 824 8 Ch Dig Rec
- Comtek wireless headphone system allowing increased mobility for loop groups
- Video camera for (animation) talent capture
- Christie Digital LW 400, 4000 lumen projector
- Sony DVCAM, Beta SP/Digi video playback
- DVD/BD Playback on stage
- SSL Duality console with custom Ahead In Past electronics, Soundmaster control
- WiFi
- More details
Current List of Worldwide ISDN Facilities: (XLS file) (HTML view)
Click here for our online spec sheet if planning a session in the near future.
Special requests
Call 310-FOX-INFO for further information regarding these backlot departments. (General studio inquiries should be directed to the switchboard at 310-369-1000.)
TESTIMONIALS
"I have been the music editor for all 24+ seasons of The Simpsons and have always enjoyed my time working on the scoring and ADR stages at Fox. The crew is always totally prepared and professional and they are always able to solve any problems that might arise during a session. Thanks to ALL of them!"
- Chris Ledesma
"Working on a Fox ADR stage is a delight. Charlene Richards is one of the best in the biz and she is supported by a great engineering staff that has kept up with all the latest advances in technology. I worked there recently and found the configuration of the room to be even more state of the art than before. The experience was smooth and efficient and we got great recordings. What more could one ask for?"
- Kimberly Harris
"Fox sets the standard by which all other ADR studios in the world are judged. The crew are problem solvers, friendly, and always deliver great recordings. We record actors remotely all over the map via ISDN from the Fox Stages and every effort is made to ensure seamless interaction between talent and the producers. It's a pro experience every time we record at Fox."
- Brian Kaufman
"I have been in post production for the last 8 years and have relied on Fox for some of my most important sessions. They are great and always up for a challenge. I wouldn't hesitate to recommend them to anyone needing a great stage. High Fidelity!"
- Jason Miller